Stetson Jazz Ensemble Concert 10-3-12

Joe Burns singing out

Palm Coast Jazz caught the first concert of the fall season from Stetson University's Jazz Ensemble last night in DeLand - a fine opening performance from the 19 piece unit led by Don Waldrop.

The concert was short and sweet - dominated by swingin' Count Basie charts from Sammy Nestico  - handled with finesse and soul by the band. The balance was especially delightful & lush during the quite, mellow numbers like "Li'l Darlin'" (Neil Hefti) and former director George West's neat arrangement of "Round Midnight" for the trombones.

Joe Davis wailing on baritone

Joe Burns and Andrew Fridsma listen while Tim Eggen lays it down

Frank Foster's crowd pleaser "Shiny Stockings" had panache, as did "Look for the Silver Lining", with a cool harmon mute solo from Tim Eggen. Joe Burns' displayed a clarion tone and well-honed technique during Nestico's "Rachael"; and a fascinating sound color brightened the rhythm section via Rahkeem George's tenor pan drum (Rahkeem also soloing well). 

Rakeem George adding a new texture on tenor pan

Johnny Mandel's "A Time for Love" got the Nestico treatment along with superb sounds from trombonist Joe Warner. The 8 piece combo then took over with impressive drives through "Impanema" and "Ladybird".

Saving the best for last on a few fronts - Waldrop led the band through Bob Florence's "Cole Porter Stomp". Here the band was at it's tightest, swinging hard and filling the Stetson Room with layers of brass, wind and cymbals (drummer Joshua Albert rocked the whole evening) and letting loose with the most centered improvisations of the night from baritone saxophonist Joe Davis and Paul Kollas on the alto. The crowd was instantly on it's feet.

Joe Warner - trombone, Don Waldrop leading the Jazz Ensemble

The sound in the room is surprisingly full bodied. A thoughtful touch to the evening was to mic and skype the concert to long-time director George West - who is very ill.

Kudos and respect to director Don Waldrop, an A-lister from the Los Angeles music scene for 35 years (who among other things, recorded 11 albums with Bob Florence); and congrats to the band for the skilled performance. The next concert is in November - check the Stetson schedule for details. - PCJ

Some of the Stetson Jazz Ensemble brass section playing the last note of the evening!

Ed Calle's Top 10 Jazz Albums (+ 2)

Mind-blowing saxophonist Ed Calle lives in So. Florida. In the last 10 years alone, the Caracas-born musician has appeared on albums by artists like Santana, Placido Domingo, Pet Shop Boys, Michael Bolton, Arturo Sandoval, Wyclef Jean, Jose Feliciano, Jennifer Lopez, Al DiMeola, Gloria Estefan & Rihanna... just for starters. He's even on Grammy-winning albums by the Chairman of the Board himself. He's had 2 latin Grammy nominations for his own albums, and is a member of the Miami Saxophone Quartet. When he's not laying down unbelievable & memorable woodwind solos or writing horn arrangements for the artists above, he's busy as Associate Professor Senior of Music Business and Production at Miami-Dade College.

It was then thrilling, of course, to have Dr. Calle participate in our humble top-50 jazz albums poll. We celebrate our blog's one year anniversary with his top 12 jazz albums. Though his list favors saxophonists, the stylistic scope is vast, and his thoughts on the albums are both intimate and exuberant.

• 1. John Coltrane - "Coltrane's Sound" – My favorite Coltrane album and time period. The re-harmonization on Body and Soul is so beautiful.
• 2. John Coltrane - "Giant Steps" - Giant Steps, Countdown, Naima, and the rest. A definitive recording if there ever was one.  
• 3. Miles Davis - "Kind of Blue" - No comment is worthy.



• 4. Steps - "Smokin' In the Pit" – Michael Brecker, Mike Mainieri, Steve Gadd, Don Grolnick, Eddie Gomez, and Kazumi Watanabe. On fire.
• 5. Claus Ogerman and Michael Brecker - "Cityscape" – A masterpiece.
• 6. Elvin Jones - "Live at the Lighthouse" – Liebman and Grossman. Influences for a lifetime.
• 7. Dave Sanborn - "A Change of Heart" – Dave is too great. A giant among giants.

• 8. Tom Scott – "Desire" – Tom Scott is a master musician, composer, arranger, and leader. Like the rest of the artists mentioned, Tom established a unique sound that has inspired and enriched all of us. 
• 9. Grover Washington – "Winelight" – Beautiful.
• 10. Arturo Sandoval – "Flight to Freedom and Swingin'" – Making music with Sandoval, Corea, Weckl, Jackson, Brecker, Patitucci, Daniels, Calderazo, and the rest – Life is great.
• 11. Gato Barbieri – "Caliente" – I still love that record. Beautiful vibe, arrangements, and playing. I could care less what the jazz police thinks, Gato is a major musical figure and is particular special to me as someone who comes from South America.
• 12. Jaco Pastorious - "The Birthday Album" – I met Michael Brecker for the first time that day. That day and concert changed my life in a very positive way.
  
  "Truthfully, how can we even rank or comment on all of the beautiful music that has been shared by so many brilliant musicians of yesterday and today? I am thankful and indebted to all of them for the inspiration, information, and joy they share with us. God bless them one and all."

Thank you Ed for your personal list and for participating in our poll! You can visit Ed Calle at his website, where all his releases are also available. Below is a video of Ed playing "Rice and Beans". It's amateur video, but worth it. Hold on to your seat! - PCJ

CD Review ~ Out of this Town, Zach Bartholomew Trio

Something for Northern Florida to be proud of.

"Like" ZBT on Facebook!

"Fresh new spin on jazz" might be a phrase tossed around frequently, as might be "distinctive sound"; when the truth is, this guy is just revamping 70's soul-jazz nicely, that girl is riding the coattails of The Krall, and this quartet sounds like it wrote their new album in 1961, and so on.

I caught ZBT live a few months back, and knew immediately I was privy to something 'new'. I can't always put my finger on it - which, might be a good description for something new. Not to say you wont hear snatches of Bill Evans, Keith Jarrett or Brad Mehldau; but all three members of the group (particularly Bartholomew) have somehow allowed themselves to get right to themselves; and one knows at once upon listening that the experience is original and indeed, fresh.

The album starts strongly - "Stop and Go" efficiently introduces you to each member and is a fine listen - clever on many levels; with a head that will make other musicians go 'wow', a phrase or two reminding me of the great Herbie Nichols. Striking is a confidence in playing that endures for the entire album; an easy-going assurance that your ears are in capable and caring hands. The mid-song tempo change is bold and welcome. Also clever is putting such a track in the lead-off slot where many artists go with "this is what you want me to do"; ZBT instead choosing "This is what we can do, check it out."

"Out of This Town" is an uptempo jazz waltz sporting a certain pleasant liberation in rhythm thanks to drummer Miles Bozeman, Who also takes a dandy solo at the end. The sunny tune could easily be adapted to a throwback r&b hit. "Shades of Blue" relaxes and swings with enjoyable sprawling lines and lush solos; bassist Brandon Robertson hitting a number of nails on the head.

Zach at the recording sessions for "Out of This Town"

A full-bodied, romantic melody permeates the entire track of "Lovers Lament"; carrying it amply from rhapsodic, meterless strumming to mildly-angry driving rock and back again. The plaintiff melody is there even when it's not - making it comparable to the many fine, early RTF compositions.

One could go on. These boys play very well together, and that undefinable something really comes through in both "New Beginnings" and "Road Trip". The former is a jaunty & delightful romp in 5 with prime soloing by Bartholomew and all three enjoying the proceedings; while extended form, a smattering of Monk-like harmonies and modern funk feel make "Road Trip" a most enjoyable ride.

No filler, excellent compositions and even a smart rendering of Coltrane bolster the album. A small distraction is the slightly dull mastering job, hardly noticeable once you're tuned in to all that's going on: both the spirit and accuracy of the performance. Certainly, this is one of the best jazz 'things' to come out of Florida in some time. Don't let it escape you. In one word: "refreshing". - PCJ 

Get your copy of "Out of This Town" at:
Itunes, Amazon or CD Baby.